Issue 6: Summer 2022
Contents:
Introducing Issue 6 of Zannizine
Arlecchino vs Harlequin by Barry Grantham
Arlequine or Arlecchina? Emergence of the female Harlequin by Barbara Segal
Visual Vernacular - Possibilities within the Commedia Style by Kinny Gardner
Commedia Around the World: Commedia in Tehran introduced by Barry Grantham
Music in Commedia dell’Arte – Part 1 by Bill Tuck
Chalemie Summer School Review by Harvey Dobbs
Ends and Odds
Issue 4: Winter 2021-2022
Contents:
Introducing Issue 4 of Zannizine
British Seaside Pierrot Troupes by Uncle Tacko! AKA Dr Tony Lidington
Commedia dell'Arte in Brazil: A Requiem for Roberto Innocente by Douglas Kodi
Viva La Commedia! Staging Commedia in Singapore by André Pink
Key to the Players in the Theatre Royal by Barry Grantham
Francisco De Goya And His Masks by Rein van Schagen
Books & Book Reviews: The Commedia dell’Arte by Giacomo Oreglia by Olly Crick
Ends and Odds
Issue 2: Summer 2021
Contents:
Introducing Issue 2 of Zannizine
Learning Through Commedia dell'Arte by Cheryl Stapleton
Manifesto! By Olly Crick
Review of Wuthering Heist by Barry Grantham
Commedia Around the World: Commedia dell’Arte in Boston by Jay Cross and Chiara Durazzini
A Little-known Engraver by Barry Grantham
Dance and the Muse of Comedy by Bill Tuck
The Magic of Sands by Bill Tuck
Ends and Odds
Issue 1: Spring 2021
Contents:
Introducing the Zannizine
The Noble Knight of Avignon by John Broadbent
The Baleful Influence of Funny Walks by Barry Grantham
Out of Hard Times by Cheryl Stapleton
Dance in Commedia by Bill Tuck
Caribbean Murals by Barry Grantham
Was Pulcinella a Pastafarian? by Bill Tuck
Arlecchino in Lockdown by Bill Tuck
Ends and Odd